2025-11-07
Author / Speaker: Jonathan J Digby, University of Derby
Co-authors: Dr Adam J Hill & Dr Bruce J Wiggins, University of Derby
research project required a two-channel near-coincident microphone technique for:
this lead to a simple implementation of Blumlein shuffling with a baffled omnidirectional microphone array:
it’s suprisingly effective
why is Blumlein shuffling relatively obscure? what are the implications and consequences of its use?
remote unsupervized listening experiments – optimized for earphones
suitable for room impulse responses, and recording of reproduced program
technique should include an omnidirectional microphone; allowing standard acoustic measures to be derived
near-coincident array using a pair of omnidirectional microphones
Referenced configurations:
‘Binaural’: omnis, \(140...165\) mm spacing, either side of dummy head or baffle
ORTF: cardioids, \(170\) mm spacing, included angle \(110^{\circ}\), recording angle \(\pm 50 ^{\circ}\)
DIN: cardioids, \(200\) mm spacing, included angle \(90^{\circ}\), recording angle \(\pm 50 ^{\circ}\)
OSS / Jecklin disc: omnis, \(165\) mm spacing, acoustically damped baffle \(\emptyset 280\) mm. [\(350\) mm spacing, \(\emptyset 360\) mm]
Schoeps MK2 omnidirectional microphone manufacturer predicted polar response.
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For an angled pair of near-coincident omnidirectional microphones (\(\pm 45...55^{\circ}\)), a typical spherical response can provide Inter-microphone Level Differences which emulate Interaural Level Differences (ILD).
This can be effective for source angles of incidence up to around \(\pm 20^{\circ} \dots 30^{\circ}\).
Beyond this a greater effect is needed.
SCHOEPS Mikrofone, “MK 2 Omnidirectional Microphone Capsule,” July 2024. [3]
R script)Angles of interference for a medial baffle disc between near-coincident microphones (plan view)
The interaural level difference plotted as a function of source azimuth (Incident angle) for tones of six different frequencies, as computed in the spherical-head model with antipodal ears. All six curves have a peak, but it is hard to see for 500 Hz.
Macaulay, Hartmann, and Rakerd, Mar. 2010 [6,fig 1]
2x Schoeps MK2, 200 mm, +/- 45 degrees;
Baffle: 222 mm diameter, 90 mm thick
Suppose in a rather live studio two microphones are arranged on each side of a block of wood roughly representing the human head, and suppose the outputs of these two microphones are combined and taken to a pair of head receivers in another room.
When the two microphones are connected separately to the two receivers, the echoes are still heard by the observer, but he mentally discounts them and focuses his attention on the source of sound to which he is listening. The room does not sound dead, but the echoes are heard as such and do not worry the observer.
It is this effect that it is desired to obtain by the proposed system of binaural reproduction.
Of secondary importance, it is desired that the apparent position of a sound source shall be clearly indicated by the reproduction.
If the telephone receivers are replaced by two loudspeakers situated one on each side of the listening room, the binaural effect is lost.
A. D. Blumlein, “Binaural Reproduction – typewritten memorandum to Mr Isaac Shoenberg”. 1932 [7,p 3]
For the evaluation of stereo impression, a listening position on the perpendicular line passing through the middle of the stereo base is preferable.
Admissible limits of base width, b:
2,0 \(<\) b \(<\) 4,0 m
h \(\approx\) 0,9 b
\(\theta\) = 60\(^\circ\)
r\(_L \le\) 0,8 m
Reference listening position
about 1,2 m above the floor
Typical layout of two-channel stereo listening arrangement. EBU Tech 3276. 1998. [8,fig 4]
Localization of an identified source using two mechanisms:
Energy: Interaural Intensity Difference; Interaural Level Difference; Interaural Amplitude Difference
Time: Interaural Time Difference; Interaural Phase Difference
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There is nothing surprising in the observation that sounds of low pitch are nearly as well heard with the further as with the nearer ear.
When the wave-length amounts to several feet, it is not to be expected that the sound (originating at a distance) could be limited to one side of the head.
J. W. Strutt (Lord Rayleigh), “XII. On our perception of sound direction,” Feb. 1907. [9,p 215]
Lord Rayleigh reported on experiments in 1907: discrimination was ‘pretty good and fairly distributed’ at 512 Hz, 640 Hz were ‘not very different’, at 768 Hz results were ‘of a nondescript character… It seems clear that at any rate the limit was being approached’.
The change over frequency from low to high frequency methods of direction determination is probably about 700 c.p.s. The determination of direction by phase or arrival time is probably much more accurate than the determination by intensity.
Blumlein’s 1932 memo to Mr Shoenburg [7,p 2]
Equal ITD and ILD weights occurred at a crossover frequency between 400 and 600 Hz, apparently independent of room environment.
W. M. Hartmann, B. Rakerd, and Z. D. Crawford,
“Localization of sound in rooms VI: Duplex theory,”
Sept. 2025 [10,p 1]
One method of obtaining a binaural illusion [with loudspeakers] is to convert the low frequency phase differences of the pressure microphone outputs into amplitude differences.
Thus an oblique low frequency sound would produce phase differences in the microphone outputs, which … would be electrically converted to include amplitude differences, thus producing differences in output intensity of the two speakers.
The modification of microphone output described above may be called “shuffling”.
A. D. Blumlein, 1932
A. D. Blumlein, “Binaural Reproduction – typewritten memorandum to Mr Isaac Shoenberg”. 1932 [7,p 4]
Assuming the original currents differ in phase only, the current in the difference channel will be \(\frac{\pi}{2}\) different in phase from the current in the summation channel. This difference current is passed through two resistances \(d\) and \(e\) in series between which a condenser\(^{\dagger}\) forms a shunt arm. The voltage across this condenser \(f\) will be in phase with that in the summation channel. [11,p 11]
\(^{\dagger}\) capacitor
For the low frequencies it can be shown that the phase difference between the waves will, for a given obliquity of the sound source, vary proportionately with frequency, being very small for a very low frequency.
Thus for a given obliquity of the sound the current in the difference channel will be increasingly great compared with that in the summation channel the higher the frequency.
Hence the use of a shunt condenser \(f\) in the difference circuit will have the effect of producing a fixed intensity difference in the final channels for a given obliquity at all low frequencies.
ALAN DOWER BLUMLEIN, Patent 394,325, Application date 1931-12-14[11,p 11]
Left channel signal is fed to the Right input with a delay and level adjustment.
This approximates the ILD and ITD offsets for a distant oblique source at azimuth \(\theta = 50^{\circ}\)
Sine bursts, raised-cosine envelope. Timescales (x-axis) adjusted to match signal frequency.
Filtered Difference: 500 Hz, low-shelf, +20 dB; Filtered Sum: offset frequency, low-shelf, −1.5 dB
Microphone array, baffled:
Schoeps MK2 microphones,
spherical response, matched pair
190 mm spacing, \(\pm\) 45 degrees
1,8 m above the floor
median circular baffle:
acoustic foam[4],
190 mm diameter, 90 mm thick
Microphone array, unbaffled:
Sennheiser 8030 microphones, figure-8 response, matched pair
200 mm spacing, \(\pm\) 0 degrees
1,7 m above the floor
Stereo recordings are created for loudspeaker reproduction, and what listeners hear in headphones is very different.
They [headphones] are perhaps the most used delivery device for sound reproduction
Floyd Toole, 2025
With few exceptions, existing commercially available ‘stereo’ program material may be acknowledged as optimized for loudspeaker reproduction.
Inverse alt-Blumlein shuffling can be used with existing ‘stereo’ content for improved earphone reproduction.
This converts low-frequency amplitude differences into timing differences appropriate for a perceived source direction.
F. E. Toole, Sean. Olive, and Todd. Welti, Sound Reproduction :, 2025. [13,p 2]
Left channel signal is fed to the Right input with zero delay and -20 dB level adjustment.
This emulates an amplitude panned source.
Sine bursts, raised-cosine envelope. Timescales (x-axis) adjusted to match signal frequency.
The 20 dB offset results in a ‘shuffled’ delay at 250 Hz of \(\approx 0,33\) ms.
Principal features in the effectiveness of Blumlein shuffling technique applied to near-coincident microphones may restrict its usage: compatibility within the two-channel ‘stereo’ format.
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The Blumlein shuffler should not be confused with the shelf-filter shuffler used for widening conventional stereo at frequencies below 700 Hz, since such shelf-filter shuffling is not designed to convert phase differences into amplitude differences, but simply and solely to increase stereo width by a factor between 1.6 and 2.5 at low frequencies.
M. Gerzon, “Applications of Blumlein Shuffing to Stereo Microphone Techniques,” Oct. 1992. [12,p 2]
Hearing two strongly correlated sources of sound, either from earphones or two loudspeakers, is an unnatural phenomenon, from which the ear-brain apparatus is asked to draw an illusion of reality.
Misleading cues must be eliminated from the sound presentation for the illusion to happen convincingly.
Siegfried Linkwitz, “The Magic in 2-Channel Sound Reproduction - Why is it so Rarely Heard?,” Dec. 2015 [14,p 113]
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The effectiveness of Blumlein shuffling highlights the dichotomy between ‘stereo’ sound reproduction formats:
a pair of loudspeakers in a triangulated listening arrangement, and earphones.
These two situations result in a fundamentally unequal psychoacoustic presentation.
The encoding and optimizing for one format clashes with the other – a ‘stereo compromise’.
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A sensible solution is for two-channel ‘stereo’ media to be produced and mastered for differentiated playback:
It is not uncommon for music albums to be released, and re-released, in multiple versions; therefore, this could present further commercial opportunities.
Thank you for your kind attention.
https://digbyphonic.com/research/rs2025/RS2025supplements.html
The complete set of audio examples includes demonstrations of inverse alt-Blumlein shuffling applied to commercially available program material. Feedback is encouraged.
https://digbyphonic.com/research/rs2025/20251105-DIGBY-HILL-WIGGINS-rs2025-paper.html
The accompanying research paper presented at the Institute of Acoustics’ Reproduced Sound 2025 conference in Harrogate, UK.
No assessment can be purely objective, as the results one wants depend on what sort of musical effect one is after.
Michael Gerzon, 1971[15,p 117]
Institute of Acoustics’ – Reproduced Sound 2025
“Improved Localization for Binaural Recordings and Stereo Program Material Using ‘Blumlein Shuffling’”